GO HOME
Visit European Gallery



       Prev  1  2  3  4  5  6  7  8  9  10   Next
 
 
Prev Artist       Next Artist     

John William Waterhouse St Eulalia (mk41) oil painting


St Eulalia (mk41)
Painting ID::  25643
John William Waterhouse
St Eulalia (mk41)
1885 74 1/4x46 1/4in

   
   
     

John William Waterhouse Mariamne leaving the Judgement Seat of Herod (mk41) oil painting


Mariamne leaving the Judgement Seat of Herod (mk41)
Painting ID::  25645
John William Waterhouse
Mariamne leaving the Judgement Seat of Herod (mk41)
1887 102x71in

   
   
     

John William Waterhouse Ulysses and the Sirens (mk41) oil painting


Ulysses and the Sirens (mk41)
Painting ID::  25648
John William Waterhouse
Ulysses and the Sirens (mk41)
1891 79x39in Melbourne,National Gallery of Victoria

   
   
     

John William Waterhouse Circe offering the Cup to Ulysses (mk41) oil painting


Circe offering the Cup to Ulysses (mk41)
Painting ID::  25649
John William Waterhouse
Circe offering the Cup to Ulysses (mk41)
58 1/2x36 1/4in Oldham Art Galllery

   
   
     

John William Waterhouse A Naiad (mk41) oil painting


A Naiad (mk41)
Painting ID::  25652
John William Waterhouse
A Naiad (mk41)
1893

   
   
     

       Prev  1  2  3  4  5  6  7  8  9  10   Next
Prev Artist       Next Artist     

     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

     Related Artists::.
     | Natoire, Charles Joseph | John Collier | Francois Boucher |


IntoFineArt Co,.Ltd.